Slidestars 1

GloriGetOfftheGuitar

  • Ry Cooder – Cherry Ball Blues

  • Derek Trucks Band – Crow Jane (ad at beginning)

  • Ry Cooder & David Lindley – Mercury Blues (live)

  • Sonny Landreth – Broken Hearted Road

This post ressurects a Grooveshark embed from eight years ago. The set of slide guitar mastery reminds me that, although I still might casually sit down and noodle on one of my pedal steels, I have, actually, forged a chilly relationship with the herd of steel guitars. The testament to this is that I have not kept them all in tune all at once since early 2015.

Dub Collision mix: Is There A Message?

ISThereAMessage

The Harder They Come was the first reggae record I ever bought. The next two were Catch A Fire by Bob Marley, and, Funky Kingston by Toots and the Maytals. I discovered King Tubby and Lee Perry a few years later. And so it came to be, my vibration with the classic old school roots, rockers, reggae. In compiling the index of Dub Collision mixes, I noticed there was no reggae in the collection. Until now.

h/t Roots Archive (a great source for reggae recordings)


Is There A Message?

1. The Pioneers – Sample Man
2. Alton Ellis – The Winner
3. Melodians – It’s My Delight
4. Burning Spear – Get Ready
5. Keith Hudson – In the Rain
6. Congos – Days Chasing Days
7. Cornell Campbell – My Conversation
8. Yabby You – Take My Hand
9. Scientist – Separation
10. Leroy Smart & Bunny Lee – Dub You Madly
11. Junior Byles & the Upsetters – Beat Down Babylon
12. Sandra Cross – Is There a Message/Dubwise Message
13. Niney the Observer – Tribulation Version
14. Bob Marley & the Wailers – Running Away + Crazy Baldhead (live)


[audio:http://nogutsnoglorystudios.squareone-learning.com/wp-content//uploads/Is-There-A-Message.mp3]
60m 320kbs 144mb | download Megaupload

Burrito Blast

flyingburritobrothers1970

Flying Burrito Brothers Live at Fillmore East 1970, (released this year.) Chris Hillman, years after the night captured on this energetic new addition to the Flying Burrito Brothers discography:

Sneaky Pete’s steel guitar shines throughout and may be his best performance on record.

What happened to The Flying Burrito Brothers the next year, 1971, ushered in twenty-five years of what I would term, fractal dynamics, as different configurations of players, constituting a kind of shifty strange attractor, bubbled up and out and up again, all around either the original ‘brand,’ The Flying Burrito Brothers, or Burrito Brothers, and, finally, Burrito Deluxe. Pedal steel icon Sneaky Pete left the band late in 1971, only to find a new attractor three years later, as the band rose once again after all but disbanding a few months and a European tour after another shuffle of personal followed in the aftermath of Chris Hillman, Michael Clark, and Bernie Leadon all moving on to greener pastures.

Sneaky Pete remained not quite the central constant in the midst of various permutations, with each at least securing the ‘Burrito’ part of the band’s name. Yet, the result is that there is a lot of Sneaky etched on legitimate and illicit recordings strung between 1974 and Sneaky’s last recordings, released in 2009 with Burrito Deluxe.

Although there was a certain measure of cynicism likely in the motivation for some of these configurations, and, each of the studio recordings are dragged down to different degrees by mediocre material and, at times, too much obedience to the commercial trends (in country music) of their day, there is also a lot of terrific Sneaky Pete steel guitar on display. Other moments of grace are supplied by musical evidence that supports just how much the shape-shifting cast of characters enjoyed playing with each other. Amongst the likes of talented and heart-felt players such as John Beland, Joel Scott Hill, Gib Gilbeau, Kleinow was the only first tier player, yet under the different variations of ‘Burrito’ the various crews kept their ‘Bakersfield sound’ inflected California country rock going against, really, the odds.

Of course Chris Hillman wasn’t onboard for the ensuing messy history, so he didn’t get to hear the ace steelman do his thing on many a long lonely night. Sentimentally, I will always feel Sneaky’s amazing essays on The Guilded Palace of Sin are not only his best work on record, but represent a pedal steel guitar-driven country rock moment second to none. Still, especially in the various Burrito ensembles of the eighties, there exist a plenitude of recorded and stunning Sneaky moments. This was especially the case throughout the eighties. (I will offer up a mix in a later post.)

Here’s 30 minutes worth of the Sneaky Pete, with five tracks taken from two albums, Suite Steel, and Pacific Steel, that featured his playing along with other virtuoso players.

1 Flying Burrito Brothers::Star Of The Show 4:10
2 Sneaky Pete Kleinow::Splittin’ Image 1:58
3 Flying Burrito Brothers::Did You See 2:58
4 Sneaky Pete Kleinow::Medley: My Back Pages, Peaceful Easy Feeling, Wheels 3:55
5 Sneaky Pete Kleinow::It Makes No Difference 5:07
6 Sneaky Pete Kleinow::Blackbird 2:06
7 Sneaky Pete Kleinow::Cannonball Rag 2:25
8 Flying Burrito Brothers::Hot Burrito #2 4:38

[removed]

h/t Tim Connors offers up a capsule history of all permutations Burrito on his essential web resource about all things The Byrds.

 

Crazy Bald Head

Incredible the king of the crates, D.J. Weirton, has tracked me down and tomorrow I’ll pitch him some props. He was my right hand man at the Record Den and even outlasted me as he served out his commission right up to the point the ship rolled and sank under the waves.

I can’t wait to find out what happened when he resurfaced. It’s been 8 years. He played a very important role in my musical journey. I’ve put together a seeqPOD mix that highlight six of his biggest tips: the downtempo sometimes drum & bass of Lamb; the crooklyn dub and roots of Dr. Israel; Bjork; Lee Perry.

However this doesn’t do his game changing contribution or the story of our working together in the last days of the old school record business any justice. I can summarize and suggest that he remade an inveterate jazzer by creating the conditions through which his own diverse good taste could rub off a bit on an old geezer. I especially got jazzed by drum and bass, illbient dub, the Bristol chill, and, much of the turntabilism he’d toss on sound system.

The curious thing is that the store was decidedly urban and its customers’ tastes ran mostly from G to R&B. I’m basically a longtime enthusiast of southern soul, whereas Cleveland is a northern soul town. DJ Weirton loved old school hip hop. We both loved Prince. We could get behind Badu and D’Angelo, but we were out of step with the trends even if selling those same trends paid our checks.

But we sure had fun turning ears with all the DJ Spooky and Skratch Pickles and Grooverider and Roots Manuva and Meters and Bill Laswell, Ninja Tune crews and many others we’d spin solely for the sake of preserving our insanity while watching what happened on the floor, as-it-were. Heavy props to the rest of the Den crew, Amadeus, RJ Sax.

  • Lamb – Cottonwool (Fila Brazilia remix)
  • Bjork – Army of Me (Liquid Riot remix)
  • Lee ‘Scratch’ Perry – Purity Rock (DJ Spooky remix)
  • Dr. Israel – Reconnection

Marlon Mix

[Grooveshark removed]

  • John Martyn – May You Never
  • The Band – Lookout Cleveland
  • Mose Allison – Seventh Son
  • Bob Marley & the Wailers – Stir It Up

Back in the day, I was part of a coterie of long-haired music fans who bounced between hi-fi safe houses. Those houses would be anywhere we could lay around and invoke the rituals of listening and mild albeit ‘chronic’ experiments with our consciousness. One of the brethren shot me an email yesterday after many years. Memories rushed in and, soon after, rushed in the tunes. This podcast is for you Marlon, a nickname posed to protect the not-so-innocent at the time.

He introduced me to Bob Marley and the Wailers, to Catch a Fire, to be exact. (I’m pretty sure–he was in room, I mean the room was smoke filled!) It took a while for me to be fully bitten by the reggae bug, but Marlon was there first and, impressively, got it. In this sense, at times, we were each other’s initiates. Marlon opened the rasta door of perception and we rushed in.
Continue reading “Marlon Mix”

Now Pop for Power People

Another way to put up a podcast is via SEEQpod. Basically, you use its nifty search engine to line-up tracks residing on somebody else’s server. This is legal for the time-being but the concept breaks down someday on at least the piggybacking purloined hot links.

Anyway, here’s what I put together in a couple of minutes of searching. All four bands are–of course–favorites. Beachwood Sparks reminds me of the International Submarine Band with their reverb drenched psychcountryrock. Panda Bear‘s Person Pitch was, along my discovery of Megan Hickey and Last Town Chorus, deliverance for my sweet tooth last year. Jellyfish was short-lived paisley precursor who just about perfectly split the difference between Badfinger and the Beach Boys. They have the greatest band motto ever: ‘turning bullshit into marmalade.’ And, their break-up caused The Grays (with Jason Falkner and Jon Brion along with Buddy Judge and Dan McCarroll) which in turn caused the greatest one-of power pop disc ever. Leaving the Wondermints, Brian Wilson’s first call backup band; say no more.

[Groovesahrk removed]

  • Beachwood Sparks-Let it Run
  • Panda Bear-Comfy In Nautica
  • Last Town Chorus-Modern Love
  • Jellyfish-New Mistake
  • Wondermints-Guess I’m Done
  • Brian Wilson-Surf’s Up

African Music Podcasts

Although I am unsettled about pointing to legally unqualified digital music resources, in the case of podcasts, since I’m offering my own miniature sets, quality podcasts qualify for mention here. I’ll have more on the world’s bestest record store and it’s wild west nature to editorialize about at a later date.

Head on over to World Passport for their labor of love focused on rare compilations of African music. Enjoy and please think about making a comment two on what you really enjoyed.