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Recent Posts
- Liz Green: Displacement Song
- Dub Collision mix: Common Folk Song (jazz traditions 2011)
- Dub Collision mix: Crunch Dance (jazz fusions 2011)
- Dub Collision mix: One Last More Miles (Blues & Soul 2011)
- Dub Collision mix Monday Rollerz (DNB etz 2011)
- Sonic Touch: Episode 5
- Perpetuum Jazzile, Slovenian Choir
- Senzari’s Formulaic Fail
- Dub Collision mix: Current Figures (slow music 2011)
- Sonic Touch Show #3
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Monthly Archives: April 2008
Beat Every Insurrection
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Tony Allen-Every Season
Jorge Ben-Xica da Silva
Souljazz Orchestra-Insurrection
Enjoy!
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Pipe Dream
Despite repeating the mantra that content is king, the major labels never believed this. Nor did the movie studios. Distribution is king.Bob Lefsetz.
Many years ago I wanted to write about the music business and orient what would have been a scree around this same point. In fact, having hauled myself through the entire multi-volume history of the industry by the Sanjeks, I wanted to bolt my analysis to their missing this same point.
As much as the Sanjeks had to say about the rise of the major labels, they were silent about the implications of the labels having to keep the pipelines full of product, be it hit bound or (most of it) failed ‘out of the box.’ It was easy to fill those pipelines, too easy really, and so it quickly came about that the major labels could do so without having to market every product in the pipeline. Amazing! 95% failure rate but 100% roll out! That the labels developed marketing stupidity* into an art form goes a long way toward explaining why an entire industry has spent a decade swirling down a drain they played a major role in making.
All else, in effect, is irony and karma.
Back in those crazy days a musician reminded me that the labels “throw stuff up against the wall and see what sticks.”
I replied, “Believe me, they don’t throw hard enough to get much to the wall.”
(*Marketing stupidity in this sense: ‘product’ developed without any commitment to its later being placed in the market. i.e. on some chain or other store’s shelves. One of the most appalling turns the record industry took occurred in 1979-1981, when the majors started their project to destroy the niche stores that were the only hope for much of the labels’ projects/products. Still, this turn is in the context of the labels knowing fully ahead of time that they were in the business of launching dead-on-arrival projects…just to keep the pipelines full.
This isn’t to say the labels weren’t expert at focusing their resources upon the task of hit and star making. They were and they made a ton of money doing so. Yet what this means with respect to distribution is that the majors were best at meeting demand.)
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Now Pop for Power People
Another way to put up a podcast is via SEEQpod. Basically, you use its nifty search engine to line-up tracks residing on somebody else’s server. This is legal for the time-being but the concept breaks down someday on at least the piggybacking purloined hot links.
Anyway, here’s what I put together in a couple of minutes of searching. All four bands are–of course–favorites. Beachwood Sparks reminds me of the International Submarine Band with their reverb drenched psychcountryrock. Panda Bear‘s Person Pitch was, along my discovery of Megan Hickey and Last Town Chorus, deliverance for my sweet tooth last year. Jellyfish was short-lived paisley precursor who just about perfectly split the difference between Badfinger and the Beach Boys. They have the greatest band motto ever: ‘turning bullshit into marmalade.’ And, their break-up caused The Grays (with Jason Falkner and Jon Brion along with Buddy Judge and Dan McCarroll) which in turn caused the greatest one-of power pop disc ever. Leaving the Wondermints, Brian Wilson’s first call backup band; say no more.
- Beachwood Sparks-Let it Run
- Panda Bear-Comfy In Nautica
- Last Town Chorus-Modern Love
- Jellyfish-New Mistake
- Wondermints-Guess I’m Done
- Brian Wilson-Surf’s Up
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Kamelmauz: 03. Ancient Sanabad – from In Khorasan
03. Ancient Sanabad
From Kamelmauz:In Khorasan (2001) / mp3@160 (more details)
Posted in In Khorasan, Kamelmauz, original music
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Drum Lesson
I once made the mistake of making a suggestion to a master musician about what I observed while they played. Learned right then it is best not to pose a guess hiding in an observation. What I said was: “Wow, when you play the daf, your fingers are so independent!”He looked up and replied: “No, they’re quite coordinated.”This wasn’t a small point even if ‘finger independence’ is one way to describe the crucial feature, coordination. I’m sure the master understood what I was trying to say. Here’s Raquy Danziger, proving the point.
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